Sinister Happenings at The Village Farm Museum Part 2 | Ghost Dimension | S02 E03 | Paranormal Doc

Sinister Happenings at The Village Farm Museum Part 2 | Ghost Dimension | S02 E03 | Paranormal Doc


– Hello and welcome,
this is Ghost Dimension. – [Narrator] Coming
up on Ghost Dimension. – I mean, it’s probably
a different story now. What I’ll do is I’ll
put the bed hat on and I’ll lay on the bed. (screaming) – [Sean] Whoa, whoa,
whoa, okay, okay. I’m out, I’m out. Come on. Okay, I picked a man up. I picked a man up. Do you see that on there? – [Narrator] Ghost Dimension. – Welcome back to
Ghost Dimension. Let’s take a look at
what happened last time. – Hello? (knocking) – Did you, did you hear that? Yeah, yeah.
– The tap over there. Yeah, yeah. – [Rebecca] I’m (mumbles). – It’s not on the
original plot of land. (beeping) Oh, and the REM just went off. I don’t know if you got that. – Would you like your suit back? (vibrating) Yeah, he said yeah. – That was through there? (gasping) Can you hear that? Hello? Whoa, what was that? Did you hear it?
– Yeah. – That was like a (scraping). – Yeah. – Scraping of a boot. Welcome to the hauntings of the Village Open
Air Museum, Skegness. (eerie music) – I’m not detecting
anything yet on this metre, on this ghost machine, but, I’m hopeful. Okay, okay, thank
you, thank you. Something just touched my leg. (beeping) (screaming) Whoa, whoa, whoa, okay, okay. I’m out, I’m out. I’m out. (beeping) Just getting myself together. Just gonna gather
myself together. Okay. (exhaling) That was the REM Pod after
someone touched my leg. The REM Pod’s in the other room. There’s no physical way that could’ve got
interfered by me. Okay, I’m gonna go back in. I’m gonna check it, but
I’m gonna switch a light on because something
did touch my leg. (beeping) There was a light
switch somewhere. (clicking) There’s nobody under
the table, look. There’s nobody there. Nobody in here. (beeping) Oh, that could be me. Yeah, that’s me. (loud beeping) (melodic beeping) Okay, that’s me now, ’cause the light’s on. The REM Pod went off after
somebody touched me on the leg and there’s nobody here. Look. What I’ll do, I’ll
switch this light off. Okay, and I’ll ask again. (melodic beeping) I’m gonna ask for them to
set the REM Pod off again. – Look, as you can see, the
device that’s in my hand, you may be able to, (puck speaking) oh, here we go. Where? Okay, I’ll just said if you
can see the device in my hand and it said, where. And it’s here. It’s in this hand right
now, my left hand, (throat clearing) and
if you just said, where, this is giving me that word. So, you should now hopefully
have an idea of how it works. You speak, this will talk to me and let me know
what you’re saying. Alternatively, (puck speaking) Broken. Broken. Now, I’m gonna show you again, there are things in this shed that are probably broken and in need of repair,
like this steam engine, this traction engine, maybe this carriage is
broken and needs repair. So, really, for where we
are right now, in this shed, that’s extremely relevant. Things are probably broken. – Okay, I’m gonna ask them
to set the REM Pod off again. Okay, if you can walk towards
that light on the table, or the crystal, and
just let it go again? Please let it shine
and let it go off. (beeping) I know that was you before. (solid beeping) Thank you. Thank you so, so much. See, literally, it’s goin’ off. Thank you, that was
really nice of you. There’s a teddy on the table, can you do something with
that, can you push it? (beeping) Make it move? Push it on the floor? I’m really, my hackles are up. – Does this engine have a name? I think it does,
I can’t quit tell. (puck speaking) Tickle. Okay. Tickle, I’ve actually
just had a shiver. I’m not saying
I’ve been tickled, I’m just saying as
that said, tickle, I’ve just had a shiver. Kind of like, you know, you get that (shivering) kind of thing, but not quite that extreme, just down my back. – Can you set that REM? (solid beeping) Thank you. Thank you. Walk towards that light
again, one more time, please. You’re doing fantastically well. Just let it go off. Make it, touch it, and
it will change colours and make a noise again. (tapping) Thank you, if that
was you I can hear with the audible
taps and the bangs. It was really, really good. Can you do another
noise for me, please? (tapping) Whoa. Okay, thank you,
that was really good. Am I speaking to a child spirit? Can you come and touch
that light if it’s a child? (puck speaking) – Engine. (laughing) Engine. And what’s that? That’s a steam engine,
a traction engine. You cannot tell me this
is not intelligent. This is, whatever people
say about the Ovilus, this is relevant, not random. For where we are right now, with that bloody
big engine there, and that’s just said, engine. I asked what it was before,
it’s now told me it’s an engine. – Sean and Paul both have
paranormal experiences during their vigils, and
with so much more to explore, Sean and I head to the wash
room inside Holly House. We are going to go
to the wash room now. We’ve just come from the
school room war room. – Yeah. – And we had amazin’,
amazin’ things happen to us over there. So, we thought, to
cover the ground. – We’re gonna head in. – Yeah, we’re gonna
head into the wash room, because this night has not
disappointed, it really hasn’t. – [Sean] Does this door close? – Okay, so what do
you feel in here? Yeah.
– Me? – Safe, at this moment in time. Not like, ooh, okay. – [Rebecca] What did you catch? – Something was tappin’ my leg. – [Rebecca] Okay. – I didn’t expect that
when we walked in here. – [Rebecca] Right. – But, some weird energy now,
I think is in here with us. – When I first came in
here before, you know, when we were doin’ the
walk-around with Lee. – [Sean] Yeah. – Um (coughing) I felt
quite nice and safe. – [Sean] Yeah, I did. – Yeah. I mean, it’s probably
a different story now when we’re callin’
the spirits out, but, we can only see. Is (coughing), is
there anybody in here? Anybody want to come and
show themselves to us? Or tap on the, these. – [Sean] Is it? – [Rebecca] I can hear that. – Some metal dragging noise. – I heard that. – Can you do that again? (tapping) – No way, no way, no way. Footsteps in here. – Yeah. – We’re standin’ still. – It’s like we’re
being followed. – We’re standing still. – Yeah. – Are you behind us? Oh, God, you can just
feel it, can’t ya? You can just feel it.
– The atmosphere. Yeah.
– Yeah. You can feel the footsteps
we’ve just heard. And, could we see it on camera? I don’t know, but you can feel that there’s somebody behind us, watchin’ us, starin’ at us. – Yeah, somebody’s observing us. – Yeah. What, what? – I’m just gonna hold it here, to see if I can see
anything behind us. Can you come and
knock on the door? Can you come and show
yourselves to me and Bex? Oh, there was a growl.
– Did you hear it? – Yeah, it’s a growl. – [Rebecca] Did you
touch that clothesline? – [Sean] Which clothesline? – [Rebecca] Did you touch that? – [Sean] No. – [Rebecca] The
clothes are movin’. The clothes are movin’ and
there’s a noise over there. – [Sean] I heard the noise. – [Rebecca] Look,
clothes are movin’. – [Sean] Is that you? Did you do that? (growling) – [Rebecca] Can you hear that? – They’re gruntin’. Yeah.
– Yeah. What he fuck? What’s that? Tap, tap. It’s over there. – It’s in the corner. – Hello? Can you tell us your name? Are you angry this
was your life? Have you got unfinished
business with people? ‘Cause they made you do this, and you thought you were better? Or, do you not see us? Are you just reliving your day? And you can’t hear us right now? – Hello? – [Ghost] Hello. – Did you hear that? Did you hear that? – The voice came back. – Yeah. – Yeah, I heard
that, I heard that. – It was a woman’s voice. Do it again, say somethin’. – Hello? (faint responding) – Again. – Yeah. It was a woman’s voice. – [Rebecca] A woman’s voice
could clearly be heard and appears to respond
to Sean’s questions. Was this the sound of a female who may have worked
here in the wash room? And what else was
she able to do? – Hello? – Did you hear that? Did you hear that? – The voice came back. – Yeah. – Yeah, I heard
that, I heard that. – It was a woman’s voice. Do it again, say somethin’. – Hello? – Again. – Yeah. It was a woman’s voice. – It likes you. She ain’t reactin’ to me. – Do you like men? – Yes. – Yes, I heard that. – But it was by the door. It looks like, it was just a plucky, yes. Why do you like men? (tapping) – Oh my God. That was a real big bang. (voicing banging) Like somebody
put a big, you know, foot. – Yeah. (clicking) A scream? – Yeah. – That was a scream? That woman screamed. – Where is it all comin’ from? – Do you think men
treated you good? When only, back in the day,
men were out for one thing? Men didn’t treat
women very well. How come you enjoy
men’s company? Oh my God. (mumbles) I heard the same. – (voicing thudding) That was another. – That’s behind us. – [Sean] Yeah. – [Rebecca] It’s like,
when we turn around, it goes behind us.
– Somethin’ happens. Yeah. – What if, you face
your camera that way. – Yeah. – [Rebecca] Just for,
if we turn that ’round so you’re facin’ it that way, and I face it this way,
and then we call out. – Yeah. – [Rebecca] Let’s see
if we get anythin’. Hello? Oh, actually you call out. – [Sean] Hello? – [Rebecca] Tell us your name. (growling) – Hello. Hello.
– I heard that. Yeah. – Yeah. – [Rebecca] Once again, the
spirits have reacted to Sean and we caught an EVP, which
we could hear at the time and we believed said, hello. However, in the edit, it
appears to say, go home now. Oh, actually, you call out. – [Sean] Hello? – [Rebecca] Tell us your name? – Hello, Hello.
– I heard that. Yeah. – Yeah. Would you follow us
around if we split up? – Oh my God. – Yeah. – Would you want me
to go to the nursery? (gasping) – Oh, yes. – That sounded like
somethin’ rockin’. Like a crib.
– Yeah, like a cradle. Yeah. – Okay, I’m gonna go to
the nursery then soon. Where do you want Sean to go? – Do you want me to
go to the white house? – Yeah. (tapping) Let’s do it. – That’s tap, tap behind you. – Let’s do it. I wanna do it.
– What, right now? – Yeah. – Should we call out
in here a bit more? Do a bit more in here
just before we go? – Yeah. – [Rebecca] See if
we can get anything, see if we capture anythin’. Come on, tap on one of
these tin, metal tins. (tapping) My God. – It did. – Oh my God. That was just like that. – Yeah (voicing tapping). – [Rebecca] (voicing tapping) Can you do it again for me? (tapping) Again. (gasping and laughing) Oh my God. – That’s really good. (tapping) – [Rebecca] And, again? (tapping) And, again? – [Sean] See the roof,
see if you can see it? Can you do it again for us? One big loud one. – And then we’ll leave. (tapping) That was my shoes, that was my shoes.
– Okay. – Say, one big loud one. – One big loud one
and then we’ll leave. (tapping) Did you hear it?
– Oh. – That was really loud. – We have to leave now. – Let’s go. Thank you.
– Okay, thank you. Sean and I had experienced lots of phenomena in the wash room and we decided to
investigate on our own. But, before we do, we head off and meet Lee upstairs
in Holly House to hear what he senses. – Lee, this is like
sewing and storage room, that’s next to the room
where the cots are. Are you feelin’ any
sort of energy in here? Ah, the children do come into
this room from the next room. – Yeah. – The feelin’ I
get in this room, I can’t quite put
my finger on it yet, but it feels like every
time I come into the room. – [Sean] Yeah. – I want to go
towards the window. – Right. – And just literally jump. Yeah.
– Jump out of the window? So somebody– – It’s as if I’m bein’
forced towards the window every time I come to this room. – Somebody could’ve
been sayin’ to ya, I jumped, I jumped
out that window. – Yeah, yeah. I feel somebody
may have gone out of the window at some point. – Earlier on today we
did the walk-around and I was filmin’ in
here, just some shots, and we caught a green light
that appeared on the camera. – [Lee] Yeah. – And it came across
the room and ended up on these clothes over here. Nobody was in the room at
the time except for me, and some of the crew, when we were checkin’
out what’s goin’ on. – [Rebecca] Earlier in the day,
Sean filmed a strange light during pre-shoot filming. Was this a spirit energy? – [Sean] A new little red dot. What’s that red dot, huh? Green dot. – [Crew] Say you’ve
got a green dot? – Could that light have
been a spirit energy light? – Possibly one of the children. Yeah.
– Possibly one of the children playing with us.
– Yeah. They will play with things,
they will move things, knock on things, make you
aware that they’re here. – And show itself. – That’s lovely. – Yeah. – There’s a building here
called the white cottage. It didn’t belong here and was
actually brought here in 1980. No one know how old
this building is, only that between 1798
and 1980 it was lived in. Did the original tenant of
the main building never leave? It was now time for Sean and
I to start our lone vigils. I investigated the second
floor of Holly House while Sean investigated
the white cottage. Here, so I’m upstairs
in one of the houses. Next door to me
I’ve got the nursery and I’m in what looks
like the parent’s bedroom. I, as the guys went
over to get my camera, what I’m using now, obviously I stayed
in here on my own, just to get a feel for the
place, see what it was like, and I took my, ah, phone, and I videoed it, just in case I caught anythin’ and I saw loads of orbs. I mean, we’re in an
old building, so it
could’ve been dust, but, if it wasn’t, you
know, we’re on to a winner. When we were
interviewing Lee before, we heard a moan,
like a child’s moan, and there’s apparently
two kids, boy and a girl, and the girl’s name is Alice. So, I’m gonna start
callin’ Alice out. I do have an Ovilus with me, and two REM Pods, which, I’m
gonna spin the camera around and I’m gonna let you see. We have a REM Pod on
the floor over there and a REM Pod on the
dresser over there. So, I’m just gonna
keep this this way, so if I see anythin’,
you see anythin’. I’m gonna call out. Alice? Alice, are you here? Are you with me? (tapping) – Right, so, I’m now gonna
investigate the white barn and see if I can get
any activity from, maybe the man that’s
believed to be in here. So, you can see all the
pots and pans from before. I’ve got this SLS Camera. If anything walks in front
of this, it will show itself on the camera and
I will show you. (tapping) Okay. Straight away, bang, bang, bang. So, I’m just gonna
walk into here. I’m tryin’ to see, actually. There’s a spinning wheel. What’s that there? The spinning wheel on the floor. Okay, is anybody
in here with me? Make a noise, a sound. Let me know you’re here. Pointin’ this at these sticks ’cause I know the man likes
to come towards the sticks. I might touch them in a minute and see if I can get
him to interact with me. If you’re here with me
now, can you make a noise? – Do you want to play
with the dolly over there? Are you gonna make
it move for me? Okay, all of a sudden, when I said, Alice are you
gonna make the doll move for me, I had a draught right
there on my face. So, whether they’re here or they’re manifesting,
I don’t know. It’s getting a bit more cold,
I mean, this place is so cold. All night I’ve had my
coat and my scarf on, but, it’s gettin’, as
I’m here on my own, and it is pitch black. Let me just spin
you around again. It’s just mental how cold
it is actually gettin’. Alice, if you don’t want
to come on your own, come with your brother,
bring your brother through. (tapping) – Is there any
males that are here? I’m gonna come
touch your sticks. You can see them. Okay. (metal clanging) Whoa, okay, I won’t
touch your sticks. I heard that. There was a noise like a ding. It didn’t want me
to touch his sticks. – I’m gonna go back
into the other room, and see if I can see anythin’
in there or hear anythin’, see if the Ovilus
picks up anythin’. It’s not so far. Alice, if you’re in here,
can you make those things on the floor, can you
make those turn on and make them beep for me? We have one on the floor and
one on the dresser over there. Are you brave enough
to touch them for me? Come on, Alice. Oh, oh, see. Every time I’m in this room, I can hear somethin’
like playin’. If I put the camera
near the door, maybe you can hear it. Alice, can you make
a noise for me? See. That’s a door, there’s
a door creakin’, and as the door creaked,
behind me there was a, ooh. Alice, you’re doin’
a really good job, can you do more for me? Come on, one big thing, do
something really big for me. Close the door, if you can push
doors, you can close a door. It does sound like
somebody’s playin’. Now I can hear footsteps. Alice? (throat clearing) Can you do somethin’ for
me over there, please? Was this your parent’s room? Are you not meant to be in here? And is that why
you think it’s fun to run around when
people are here? – I’m gonna go and
get your sticks. I can’t see the sticks. I’m moving your sticks. Is that making you annoyed? (gasping) There was a footstep
sound in here. Show yourself to me. Come on, I’m not afraid of you. (tapping) Come on, I’m not afraid
of you, show yourself. Sit down at this table. – Alice? (banging) (gasping) Oh, my God. That was there. It was downstairs. Let me just pan
the camera around. There’s no one down there. Hello? Hello? Okay, Alice, if that was you, or anyone else in this buildin’, if that was the maid or
the, Mary, downstairs maybe, could you do it again, but
could you do it up here, please? Where I am, where
all my equipment is. Can you hear it? Can you hear it? Let me just pan
downstairs again. What was that? There was a voice. Hello? Can you show yourself
on my camera? Pointing down the stairs. Come on. Oh, what was that? Say it louder. I can’t hear you. Alice? Mary? Mary, is that you? Oh my God. Oh my God. Something’s actually
touchin’ my hair. Did you hear that? That was downstairs. Hello? That sounded like a man, like a man’s ha, ha, ha, ha, and then a door. See. It’s hard to do it
from down there. (banging) (gasping) Okay, now I’m gettin’ a
little bit agitated up here and I’m gettin’ a
little bit unnerved. Alice, is that you, or Mary? That seems like a
bigger presence. Can you do somethin’ up here
and effect my equipment. Can you effect this– (puck speaking) See, the REM Pod’s not
showin’ me the words. Eh? Was that, eh? Can you say that again? (puck speaking) – Okay, okay, out. Thank you, that’s enough. I had to move them because there was
like a real big, like a rock or somethin’
moved on the floor. I’m just tryin’ to see if
I can see it on the camera. Can you do that one
more time for me? That noise again,
that noise again. It came from in here. I mean, look, all
you can see in here. See. As I came out of that room
then there was a (hissing). Like a hiss at me,
like it hissed. Whatever it is, doesn’t
want people near it. It doesn’t like people
being in this building. I think it came, like Lee,
the medium, said before, it came with this building. I think it doesn’t
want people in here. – Okay, so, I, um. I think my Ovilus,
I put new batteries in it before we came
up, as we always do, and it’s drained it. Because, it’s still workin’,
it’s still showing light, but the word’s not
appearin’ on the screen, and the voice box, it’s just, (whistling) oh, it’s a whistle. There was a whistle. Yeah, the voice box is just
sort of (stuttering) the words. So, I think that’s drained and I won’t be able
to use the Ovilus. What I’m gonna do, because Lee said if we wear
some of the clothes and stuff, it might bring out
the spirit more. I’m gonna put the top hat on. (laughing) It’s a bit big. (laughing) I’m not gonna
put the top hat on. Okay, I’ll put
somethin’ else on. What’ve we got? What’s this? Um, I’ll put the bed hat on. What I’ll do is I’ll
put the bed hat on and I’ll lay on the bed. (screaming) (small item rattling) Okay, so you don’t want
me to put the bed hat on? Okay, I’m not gonna
put the bed hat on, but I am gonna find
out what was that. I’ll get my torch and
I’m gonna find out what the hell was just thrown. That came from the child’s room. I’m gonna spin this
around and I’m gonna try and find whatever the
hell was thrown at me. I know what it was. I was a, you know
what it sounds like, it sounds like one of these. (tapping) Yeah, it was one of these, from this. That must’ve been a game. I wonder if I could find it. Right. Okay, so did you
want me in here? Did you want me in here because
you want to play a game? Okay, we don’t throw things
do we, because that’s naughty, but we can sing a
song if you like. Would you like to sing a song? ♪ Ring a ring of roses Can you finish the song? – Show yourself
down this corridor. Okay, I picked a man
up, I picked a man up. Can you see that on there? Look. Look at this. There’s a man right there. Move into the corridor, come on. Whoa, two people. Okay, okay. Okay, thank you. (shouting) They went, they went, they went. So when we were walking
around before, Lee, you were picking up energy
that was comin’ towards ya, and it was to this
white cottage. – Yeah. – What was it you
were pickin’ up? – There’s actually a
male who resides here. He’s in the, he mainly
goes into the back room. The first time I ever came here, I was given the image of
a man that was hanging, quite a young man, I’d say between 19 and
21, no older than that, and he was just
down the hall there, and he was literally
just hanging there and that really sort of shook
me the first time I came here. – Yeah. – So, do you think that presence in the other room
could’ve done that, or do you think he hung himself. – Yeah, he’s quite, he’s
quite mischievous as well and he will follow
us around tonight. – [Rebecca] Sean appears
to have caught two figures on the SLS Camera. One of the figures also appears in the exact place Lee
had said someone was hung. Also, another figure
is beside him. Was this the person
murdered as Lee suggested, and their spirits are still
haunting here to this very day? – Where did they go? Where did they go? I definitely, definitely saw,
and it was on the wall there. (tapping) – Somebody’s behind me. Somebody’s behind me, and
it’s not the mannequin. Somebody’s behind me, because
I heard (tapping) behind me. Little tiny footstep
(tapping) behind me. Are you behind me,
are you playin’ games? Are you sneakin’ up on me,
tryin’ to make me scared? Over there. I can hear footsteps
all over this place. It is mental. Come up the stairs. Come and join me in the nursery. Come on. We’ll have fun and we’ll sing
and we’ll play some games, but just don’t throw anythin’. (whistling) – Did you hear that then? It was a (whistling). I can still hear a faint voices, but I picked up
a man on the SLS, two people, two
distinct figures. Two distinct figures. And now I can hear footsteps, like he’s moved around. Whoa, whoa, whoa,
what’s that by the door, what’s that by the door, look. There’s noises by the door. It’s like it’s leading
me out of here. It does not want me here. This is weird, because earlier
I had a chat with a medium and he said there’s a figure
blocking the light at the door, and, you know, at the door. Okay, there’s nobody there
and you can hear a noise. – Bring your brother with you. What your brother’s name? See, every time I go to
that door, I hear a noise. (voice whispering) No, on my God. God, I hope you picked that up. Okay, I heard the name Peter. Peter? Peter, come up here with me, and Alice, we’re havin’ fun. Oh my. (tapping) Okay, somebody’s comin’ up. (tapping) Peter? No way, no way, look
at this, look at this. The rope, it’s movin’. The rope is actually movin’. Peter, is that you
makin’ that rope move? Oh my God. Okay, as much as
I’m enjoyin’ it, and I’m gettin’ scared, I think I’m gonna wrap up here. – Okay, okay, I’m out of here. I’ve been hearin’
footsteps again, I’m just gonna have
to leave there. Do not, not like
this whatsoever. (suspenseful music)

One thought on “Sinister Happenings at The Village Farm Museum Part 2 | Ghost Dimension | S02 E03 | Paranormal Doc

Leave a Reply

Your email address will not be published. Required fields are marked *